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MARK LINDQUIST         Born 1949, Oakland, CA ,  Resides in Quincy, FL     

 

Education

M.F.A.   Florida State University, Phi Kappa Phi - 1990
Graduate Studies: Pratt Institute MFA Program  - 1971

B.A.       New England College - 1971

 

Museum and Public Collections

The Arkansas Arts Center, Little Rock, AR

Arizona State University Art Museum

Arrowmont School of Arts and Crafts, TN

The Art Institute of Chicago, IL

Bank of America Corporate Headquarters, Charlotte, NC

The Detroit Institute of Arts, MI

Dallas Museum of Art, TX

The Delaware Art Museum, Wilmington, DE

Fine Arts Museums of San Francisco (de Young Museum), CA

Fuller Museum of Art, Brockton, MA

Greenville County Museum of Art, SC

High Museum of Art, Atlanta, GA

The Metropolitan Museum of Art, NYC

Michigan University Art Museum

Mint Museum of Craft and Design, NC

The Mobile Museum of Fine Arts, AL

Minneapolis Institute of Art, MN

Museum of Arts and Design (formerly American Craft Museum), NYC

Museum of Fine Arts, Boston, MA

Philadelphia Museum of Art, PA

Racine Art Museum, Racine, WI

The Schenectady Museum, NY

Smithsonian American Art Museum (formerly National Museum of American Art), Washington, DC

University of Michigan, Ann Arbor, MI

Virginia Museum of Fine Art, Richmond, VA

Yale University Art Gallery, New Haven, CT

The Woodturning Center, Philadelphia, PA

 

Selected Awards / Recognitions
2006       POP Fellowship, American Association of Woodturners

1999       Distinguished Alumni Achievement Award, New England College

1996       Honorary Board Member, James Renwick Alliance

1989       Fellowship, National Endowment for the Arts/Southern Arts Federation

1985       New Works Grant, Fuller Museum of Art, Brockton, Mass. Council on the Arts and Humanities

1984       Individual Artist Grant, N.H. Commission on the Arts

1983       New England Living Art Treasure, University of Massachusetts at Amherst

1979       MacDowell Colony Fellowship, MacDowell Colony, Peterborough, N.H.

 

Selected Exhibitions                 (*one person shows)
 

2006            The International Exposition of Sculpture, Objects & Functional Art (SOFA), Chicago

                           (Donna Schneier Fine Art)

                   “The Presence of Absence: Celebrating the Void in Contemporary Wood

                           Sculpture” at SOFA Chicago, curated by Hal Nelson, Director of the Long Beach

                           Museum of Art, CA

                   Museum of Art & Design, NYC, “Nature Transformed: Wood Art from the Bohlen Collection”

                   University of Idaho Prichard Art Gallery, “Woodturning on the Edge”

2005-06        Racine Art Museum, Racine, WI, “East Meets West: The Contemporary Asian Aesthetic

                   in RAM’s Collection

2005            Northern Michigan University’s DeVos Art Museum, “Out of the Woods”

                   The Wood Turning Center, “Artists’ Reflections: Selections from the Wood Turning Center’s

                           Collection”

2004            Arkansas Arts Center, Little Rock, AR, "Rooted in Innovation: Contemporary Wood Sculpture"

                   Los Angeles Craft and Folk Art Museum, Los Angeles, CA, "Celebrating Nature:

                           Craft Traditions/Contemporary Expressions"

                   University of Michigan Museum of Art, Ann Arbor, MI, "Nature Transformed: Wood Art

                           from the Bohlen Collection

                   The Columbus Museum, Columbus, GA, "Out of the Woods: Turned Wood by American
                   Craftsmen"

                   Brigham Young University Museum of Art, "Beneath the Bark: Twenty-Five Years of

                           Woodturning"

2003            Kanazawa World Craft Forum Invitational Exhibition, Kanazawa, Japan

               *   The Wood Turning Center, Philadelphia, PA, “Millennial Mysteries 1990-2000”

2001- 02       Renwick Gallery of the Smithsonian American Art Museum, Yale University, and

                   The Minneapolis Institute of Arts, "Wood Turning in North America Since 1930"

2000            Mint Museum of Craft and Design, Charlotte, North Carolina

                           The Founders' Circle Collection", Inaugural Exhibition, and

                           “The Jane and Arthur Mason Collection”

1998        *   Mendelson Gallery, Washington Depot, CT

                   Delaware Art Museum, “The White House Collection of American Crafts”

1997        *   Florida Gulf Coast Art Center, Belleair, FL,

                           “Revolutions in Wood: Mark Lindquist, 25 Year Retrospective”

               *   Florida Craftsmen Gallery, St.. Petersburg, FL,

                           “Mark Lindquist: Technoancients – Paint and Robotics”

                   Oakland Museum of California,

                           “Expressions in Wood: Masterworks from the Wornick Collection”

                   Connell Gallery, Atlanta, GA, “Homage to Osolnik”

                   Peter Findlay Gallery, New York, NY

                   Mendelson Gallery, Washington Depot, CT,   “Mark and Melvin Lindquist”

1996        *   The Renwick Gallery of The National Museum of American Art, Washington, DC,
                           "Revolutions in Wood: Mark Lindquist, 25 Year Retrospective"

               *   Virginia Beach Center for the Arts, Virginia Beach, VA, “Revolutions in Wood”

               *   The Museum of Arts and Sciences, Daytona Beach, FL, “Revolutions in Wood”

               *   Maurine Littleton Gallery, Washington, D.C., Solo Exhibition of sculpture        

                   Palm Beach College Museum of Art, Palm Beach, FL, Group Sculpture Exhibition

                   The International Exposition of Sculpture, Objects & Functional Art, Miami

                   The LA County Museum of Art, Los Angeles, CA,

                           “The White House Collection of American Crafts”

1995        *   The International Exposition of Sculpture, Objects & Functional Art, Miami

                           (Gail Severn Gallery)

                   National Museum of American Art, Washington, D.C. & travelling, "The White House

                           Collection of American Crafts"

               *   Hand Workshop Art Center, Richmond, VA & touring, "Revolutions in Wood:

                           Mark Lindquist, 25 Year Retrospective," curated by Robert Hobbs

1994            Lowe Art Museum, University of Miami, "Beyond Nature: Wood Into Art"

                   Museum of Fine Arts, Boston,  "The Label Show: Contemporary Art and the Museum"

                   Fuller Museum of Art, Massachusetts, "Treasures in our Midst"

               *   The International Exposition of Sculpture, Objects & Functional Art, Chicago  

                           (Concurrent solo exhibition w/ Dale Chihuly, Gail Severn Gallery)

1993            The White House, Washington, DC, "The White House Collection of American Crafts"

               *   Dorothy Weiss Gallery, San Francisco, CA

                   The Toledo Museum of Art, Ohio, "Contemporary Crafts and the Saxe Collection"

                   Fine Arts Museum of the South/Turned Wood by American Craftsmen, European Tour including Rome, Athens, Warsaw, Copenhagen, Luxembourg

                   High Museum of Art, Atlanta, GA, "The Art of the Woodturner"

                   Gail Severn Gallery, Ketchum, ID (Seattle Art Exposition)

               *   Dorothy McRae Gallery, Atlanta, GA (Inaugural exhibition)

               *   Delaware Art Museum

                   The Arkansas Arts Center, Little Rock, AR, "National Objects Invitational"

               *   Chicago International New Art Forms Exposition, Gail Severn Gallery

1992            Renwick Gallery, National Museum of American Art, "American Crafts: The Nation's Collection"

               *   Snyderman Gallery, inaugural exhibition, Cherry Street location, Philadelphia, PA

              *    Gail Severn Gallery, Ketchum, ID (Painted Reliefs)

                   Fine Arts Museum of the South, Mobile, AL, and travelling, "Turned Wood by American Craftsmen"

1992            del Mano Gallery, Los Angeles, CA, "Master Woodturners"

1991            Southern Arts Federation, Atlanta, GA (SAF NEA Grant Recipients)

                   Museum of Fine Arts, Boston, "Collecting American Decorative Arts & Sculpture"

               *   Mendelson Gallery, Washington Depot, CT

1990        *   Franklin Parrasch Gallery, New York City

1990            Florida State University, Tallahassee, Florida, "NEA Artists"

                   Wilson & Gough Gallery, London, England

1989        *   Franklin Parrasch Gallery, New York City    

                   Franklin Parrasch Gallery, Washington, DC, "The Grand Masters of Woodturning"

1988        *   Mendelson Gallery, Washington Depot, CT

                   Gimpel Weitzenhoffer Gallery, New York City

1987        *   School of Architecture, Florida A & M University, Tallahassee, FL

               *   Gail Severn Gallery, Ketchum, ID

1986-88        American Craft Museum, NYC and travelling, "The Poetry of the Physical"

1986        *   Brevard Art Museum, Melbourne, FL

               *   Snyderman Gallery, Philadelphia, PA

                   Brockton Art Museum, Brockton, MA, "New Works 1986"

                   Ob'Art, Les Ateliers D'Art, Paris, France

                   Chicago International Art Exposition (G.H. Dalsheimer Gallery)

1985            Arizona State University, Tempe, Arizona and travelling exhibition, "The Edward Jacobson Collection of American Turned Wood Bowls"

                   G.H. Dalsheimer Gallery, Baltimore, MD

1984            Currier Gallery of Art, Manchester, NH

               *   Human Arts Gallery, Dallas, TX

               *   Habatat Galleries, Lathrup Village, MI

1983            American Craft Museum, NYC, "The Art of Wood Turning"

                   Jesse Besser Museum, Alpena, MI, "Masterworks"

1982        *   National Museum of American Art, Renwick Gallery, Smithsonian Institution, Washington, DC, "Featured Object May/June"

               *   American Art, Inc., Atlanta, GA

                   Columbus Museum of Art, Columbus, OH

                   The Elements Gallery, NYC

                   The Works Gallery, Philadelphia, PA

                   Galerie Ninety-Nine and Medici-Berenson Gallery, Bay Harbor Islands, FL

1981-83        Bowdoin College Museum of Art, Brunswick, ME, & travelling, "Art in Craft Media"

1981            Brockton Art Museum, Brockton, MA, "Woodforms"

                   N.H. Commission on the Arts, Concord, NH, "Sculpture/New Hampshire"

                   The Hand and the Spirit Gallery, Scottsdale, AZ

                   Aaron Faber Gallery, NYC

1980        *   Kendall Art Gallery, Wellfleet, MA

                   Louisville Art Gallery, Louisville, KY

1979-80        American Craft Museum, NYC, and travelling, "New Handmade Furniture"

1979        *   Greenville County Museum of Art, Greenville, SC

               *   The Elements Gallery, NYC

1978-79        The Metropolitan Museum of Art, NYC, "Twentieth Century Decorative Art"

1978            Renwick Gallery, Smithsonian Institution, Washington, DC, "The Art of the Turned Bowl"

                   Warner Communications, Rockefeller Center, NYC, Worcester Craft Center invitational

                   The Works Gallery, Philadelphia, PA

                   Meyer Breier Weiss Gallery, San Francisco, CA

1976            Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

                   Grover M. Hermann Fine Arts Center, Marietta College, Marietta, OH

                   The Schenectady Museum, Schenectady, NY

1975            DeCordova Museum, Lincoln, MA

               *   Florence Duhl Gallery, NYC
 

Selected Catalog Essays and Articles

 

2006            NELSON, HAL: The Presence of Absence, exhibition catalog, SOFA Chicago, sponsored by

                          the Collectors of Wood Art

                   ELLSWORTH, DAVID: “POP Fellowships Recognize Professional Achievements,”

                           American Woodturner, Winter
2005            BARTOLUCCI, MARISA: “Passion Investments: Collectibles,” Worth Magazine      , September

2004            DUNCAN-AIMONE, KATHERINE; WALLACE, KEVIN et al: 500 Wood Bowls

2002            WALLACE, KEVIN: “Wood Works—Getting Beyond Function,” American Style, Fall

2001            COOKE, EDWARD S., JR.: “The Transformation of Wood Turning, 1900-76,” and

                   ADAMSON, GLENN: “Circular Logic: Wood Turning 1976 to the Present,” in

                          Wood Turning in America Since 1930, exhibition catalog, Wood Turning Center and

                          Yale University Art Gallery

2000            MONROE, MICHAEL W.: “A Passion for Wood: The Jane and Arthur Mason Collection,” in

                          Turning Wood into Art, exhibition catalog, The Mint Museum of Craft and Design

                   ADAMSON, GLENN, “An Inaugural Gift: The Founders’ Circle Collection,”

                          exhibition catalog, Mint Museum of Craft and Design

1997            LAWRENCE, LEE: “From Generation to Generation,” American Style, Summer

1996            KANGAS, MATTHEW: “The Rematerialization of the Art Object,” Sculpture, July/August

                   MAC ALPINE, DANIEL: “Totemic Images in Modern Craft Art,” American Style, Summer

                   WILLIAMS, DANA: “Mark Lindquist,” American Way (American Airlines In-Flight

                          Magazine), June 15

                   ELLSWORTH, DAVID: “Revolutions in Wood: A View of the Mark Lindquist

                          Retrospective,” American Woodturner, March (Vol. 11, No. 1)

1995            HOBBS, ROBERT: Mark Lindquist: Revolutions in Wood, exhibition catalog,

                          Hand Workshop Art Center, Richmond, VA

                   BELL, JUDITH: “Mark Lindquist / Hand Workshop Art Center,” American Craft, 12/1995 – 1/1996

1994            GEAR, JOSEPHINE: "Beyond Nature: Wood Into Art," exhibition catalog, Lowe Art Museum

1993            COOKE, EDWARD S., JR.: "Wood in the 1980s: Expansion or Commodification?", Contemporary Crafts and the Saxe Collection, exhibition catalog, Toledo Museum of Art

1992            CROPPER, CAROL M.: "Collectors:...Turned Wood," Forbes, September 14

1991            FALINO, JEANNINE J.: Collecting American Decorative Arts and Sculpture, exhibition catalog, Museum of Fine Arts, Boston, MA

1990            KOPLOS, JANET: "Review: Mark Lindquist at Franklin Parrasch" Art in America, April

                   HOBBS, ROBERT: "Review: Mark Lindquist, Franklin Parrasch Gallery, New York," Sculpture, March/April

1989            PALLADINO-CRAIG, ALLYS: "Mark Lindquist," Art Today, Spring

                   PERREAULT, JOHN: "Turning Point," American Craft, February/March

1988            KOSTOF, SPIRO: "Comment"(based on keynote address ACC National Conference, 6/4/86, Oakland, Ca.),American Craft-June/July

 

 
     

 

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